Wydawnictwo: Accent
Seria: Mozart Piano Concertos - Cristofori
Nr katalogowy: ACC 24313
Nośnik: 1 CD
Data wydania: luty 2016
EAN: 4015023243132
Seria: Mozart Piano Concertos - Cristofori
Nr katalogowy: ACC 24313
Nośnik: 1 CD
Data wydania: luty 2016
EAN: 4015023243132
Nasze kategorie wyszukiwania
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: pianoforte
Rodzaj: koncert, pieśń
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: pianoforte
Rodzaj: koncert, pieśń
Mozart: Piano Concertos KV 482 & KV 491
Accent - ACC 24313
Kompozytor
Wolfgang Amadeus Mozart (1756-1791)
Wolfgang Amadeus Mozart (1756-1791)
Nagrody i rekomendacje
Utwory na płycie:
Piano Concerto no. 22 in E flat major KV 482 (Vienna, 1785)
Ch’io mio scordi di te? ... Non temer, amato bene KV 505 (Vienna, 1786) - Concert aria for soprano, piano obbligato and orchestra
Piano Concerto no. 24 in C minor KV 491 (Vienna, 1786)
Ch’io mio scordi di te? ... Non temer, amato bene KV 505 (Vienna, 1786) - Concert aria for soprano, piano obbligato and orchestra
Piano Concerto no. 24 in C minor KV 491 (Vienna, 1786)
Arthur Schoonderwoerd, one of today's most sought-after interpreters on the fortepiano, presents the fifth part of his complete recording of Mozart's piano concertos on the ACCENT label with this release of the two well-loved Piano Concertos, KV 482 and KV 491 (no. 22 and no. 24).
As they have already done on their previous issues, the aim of Schoonderwoerd and his ensemble Cristofori here is to liberate Mozart's works from traditional nineteenth-century sound concepts. Each string part in the orchestra is played by just one performer; the result is a very slender, transparent sound that supports the solo instrument without ever covering it up.
As they have already done on their previous issues, the aim of Schoonderwoerd and his ensemble Cristofori here is to liberate Mozart's works from traditional nineteenth-century sound concepts. Each string part in the orchestra is played by just one performer; the result is a very slender, transparent sound that supports the solo instrument without ever covering it up.
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