koszyk0 sztuk  
user Zaloguj
pas1091
Back cover pokaż tył okładki

Wydawnictwo: Passacaille
Nr katalogowy: PAS 1091
Nośnik: 1 CD
Data wydania: luty 2021
EAN: 5425004840912
66,00zł
na zamówienie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): włoski
Instrumenty: kornet
Rodzaj: sonata

Scarlatti / Bononcini / Cavalli: On the Breath of Angels

Passacaille - PAS 1091
Kompozytor
Alessandro Scarlatti (1660-1725)
Giovanni Battista Bononcini (1679-1747)
Pier Francesco Cavalli (1602-1676)
Carlo G, Giovanni Pierluigi da Palestrina, Sigismondo d’India, Julian Wachner, Erik Satie, Ivan Moody, Giovanni Maria Bononcini
Wykonawcy
Hana Blaziková, soprano
Bruce Dickey, cornetto
The Breathtaking Collective:
Veronika Skupik, violin
Catherine Aglibut, violin
Mieneke von der Velden, viola da gamba
Matthias Muller, viola da gamba
Kris Verhelst, organ & harpsichord
Jakob Lindberg, theorbo
Nagrody i rekomendacje
 
Diapason 5 Pizzicato Supersonic Music Island Recommends
 
Carlo G:
Panis angelicus
Sicut sponsus matris
Mater Hierusalem

Giovanni Pierluigi da Palestrina:
Angelus Domini

Sigismondo d’India:
Videte miraculum a 3

Francesco Cavalli:
Sonata a 3
O quam suavis

Julian Wachner:
The Vision of the Archangels

Giovanni Bononcini:
Sinfonia
Il Trionfo di Camilla

Erik Satie:
Trois mélodies - Les Anges

Ivan Moody:
O Archangels and Angels

Giovanni Maria Bononcini:
Sonata 5, Op. 6

Alessandro Scarlatti:
Il Comodo Antonino
During the height of its popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and trombone.

For this project Bruce Dickey and Hana Blažíková take the image of angel musicians as a point of departure for an aural journey ranging from 1600 to the present day. From sacred monodies and motets of the early 1600s to opera arias from the end of the century, via a brief diversion to Erik Satie, we arrive at two specially commissioned contemporary works, all the while focussing on the angelic and radiant pairing of the cornetto with the human voice.

Recording: Begijnhofkerk Sint Truiden, February 2020.

Zobacz także:

  • ACD 22528
  • ACD 22533
  • ACD 22321
  • FL 72419
  • ACC 24392
  • ACC 24393
  • EPRC 065
  • COR 16208
  • EPRC 058
  • CDA 68427